‘You’re the Tops’ – Cole Porter’s famous words are especially applicable to Twickenham Operatic Society’s (TOpS) memorable 80^th anniversary show at Richmond Theatre. ‘Hello, Dolly!’ is one of the most spectacular and lavish amateur productions ever to be seen in the borough of Richmond, and probably in the country as a whole. The success of this musical depends largely on good ensemble and the sheer energy, enthusiasm, excitement and commitment which every member of this non-professional cast brought to the show was quite outstanding.

‘Hello, Dolly!’ tells the story of Mrs. Dolly Levi’s efforts to marry Horace Vandergelder, the well-known half-a-millionaire, and circulate his money among the people, as her late husband had done. Journeying from Yonkers across New York, amongst other adventures, she is caught up in the great Fourteenth Street Association Parade. With a cast seemingly of hundreds, of all ages, in beautifully elaborate costumes processing across the stage and round Richmond Theatre, this was the highlight of the show. The other splendid production numbers gave the dancers and chorus a chance to shine, especially in the show-stopping theme song with some nifty and immaculate footwork from the Waiters.

Paulette Lythall was a Dolly of warmth and some presence and Ian Stark as Vandergelder, suitably curmudgeonly at the beginning, was infinitely touching in his conversion in the final scene. As the foil to Dolly and Vandergelder, Kip Parker excelled as Cornelius Hackl, ably supported by young Dayle Hodge as his assistant Barnaby Tucker. Both are natural comedians and sang, danced, acted, and reacted, with great verve and skill. Amanda Wilkinson was a sweetly dignified Mrs. Irene Molloy and Fay Ellington as her maid played her part with great charm.

Unseen stars were the production team of Gillian Wade, Babette Langford and musical director Mervyn Bryn-Jones, together with a large backstage and technical staff, who were responsible for producing, arranging, rehearsing and organising this hugely enjoyable and polished performance.

Pam Frazer